Most recently watched by sensoria, sleestakk
The story of the life of Domino Harvey, who abandoned her career as a Ford model to become a bounty hunter.
Rated R | Length 127 minutes
Keira Knightley | Lucy Liu | Mickey Rourke | Tom Waits | Christopher Walken | Mena Suvari | Jack McGee | Dabney Coleman | Jacqueline Bisset | T. K. Carter | Delroy Lindo | Ian Ziering | Brian Austin Green | Michael Papajohn | Edgar Ramírez | Peter Jacobson | Lew Temple | Cheryl Francis Harrington | Dale Dickey | Stanley Kamel | Liza Lapira | Donna W. Scott | Shondrella Avery | Joe Nunez | Kel O'Neill | Heidi Hawking | Macy Gray | Mo'Nique | Riz Abbasi | Celesta Hodge | Fred Koehler | Rolando Molina | Jerry Springer | Patrick Kerr | Vic Manni | Morgan Nagler | Neal Matarazzo | Andy Milder | Mike G. | Charles Paraventi | Ashley Monique Clark | Mark Newsom | Julian Berlin | Adam Clark | Tabitha Brownstone | Domino Harvey | Ginger Kinison | Michael Andolini | Chad Parker | Phillip Darlington | Jackson Bolt | Michelle Fabiano | Janet Gonzalez | Eddie Hernandez
I first saw this back in 2005 at Mann’s Chinese Theatre in Hollywood. Which is a big deal for me, since that’s the one and only time I’ve been to Hollywood. I disliked the movie then for its visual assault, shaky camera, ADD editing, etc.
I decided to give it a rewatch to see if my view had softened any.
Not much. This is style over substance, which I don’t necessarily have an issue with, but the damn movie gives me a headache watching it.
I do admire some of the film exposure and textural tricks that Scott used to get some of the colors and grain in the movie now that I didn’t then. It’s also fun to trainspot actors who you know now because of later work, that you didn’t know then.
For instance, I’d never heard of Macy Gray or Edgar Ramirez when I first saw this film. And Mickey Rourke hadn’t made his Wrester-fueled comeback either (he’s actually pretty decent in Domino, and looks much better here then he does now, his face being smoother and less pockmarked).
Still, overall, I still carry my dislike forward for this film, and most Tony Scott movies for that matter.
Oh well, I tried.
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