Most recently watched by BTSjunkie, sensoria, sensoria
After being double-crossed and left for dead, a mysterious man named Walker single-mindedly tries to retrieve the rather inconsequential sum of money that was stolen from him.
Rated NR | Length 92 minutes
Angie Dickinson | Keenan Wynn | Sid Haig | Lawrence Hauben | Kathleen Freeman | Lloyd Bochner | Bill Hickman | Michael Strong | John Vernon | Lee Marvin | Michael Bell | Chuck Hicks | Carroll O'Connor | Felix Silla | James Sikking | Joseph Mell | Barbara Feldon | Guy Way | Norman Stevans | Sharon Acker | Roberta Haynes | Victor Creatore | Susan Holloway | John McMurtry | Rico Cattani | Ted White | Jeffrey Sayre | George Calliga | Philo McCullough | Leoda Richards | Roland La Starza | Sandra Warner | Ethelreda Leopold | Sid Troy | Kenneth Gibson | Stu Gardner | Jerry Catron | Monty O'Grady | Roseann Williams | George Bruggeman | Richard Elmore | Ron Walters | Cosmo Sardo | Duke Fishman | George Hoagland | Paul Bradley | Rudy Germane | Dick Cherney | Bud Cokes | Harvey Karels | Joseph La Cava | Bonnie Dewberry | Robert Strong | Priscilla Boyd | George Strattan | Nicole Rogell | Tim Taylor | Murray Pollack | Anthony Redondo | Clark Ross | Louise Lane | Carey Foster | John Zimeas | Karen Lee | Andrew Orapeza | Louis Whitehill
Just an amazing film. The composition of shots is brilliant here, especially scenes that break the film plane and force you to acknowledge the film itself as an element in the movie. The window screen pattern in one shot is the most obvious example, as are the plethora of shots through glass and reflections, some of them reflections of reflections.
Color is also used to great effect.
This movie should be studied in film classes everywhere. A really nice piece of film making.
Lee Marvin is great, but Angie Dickenson is just gorgeous in this.
Based on the novel “The Hunter” by Donald E. Westlake (nee Richard Stark), one of my favorite pulp crime writers.
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