Most recently watched by sensoria
Businessmen arrange the early release from prison of Togawa, serving time for taking revenge on the truck driver whose carelessness confined Togawa’s sister, Rie, to a wheelchair. They want Togawa to hijack an armored truck loaded with 120 million yen; their leverage is to promise him money for surgery for Rie. Togawa consents and plans the heist with three others. The plan is solid, but it doesn’t go smoothly. Togawa must improvise, there are traitors somewhere, and double-crosses mount. Can Togawa escape with enough money to help his sister and ensure a passage out of Japan?
Length 87 minutes
Chieko Matsubara | Tamio Kawaji | Shuntaro Tamamura | Hiroshi Kondô | Akifumi Inoue | Jô Shishido | Kôjirô Kusanagi | Hiroshi Nihon'yanagi | Zenji Yamada | Kôtarô Sugie | Saburo Hiromatsu | Masaru Kamiyama | Shirô Oshimi | Yuji Odaka | Kôji Yashiro | Yasukiyo Umeno | Minako Kozuki | Junichi Yamanobe | Yôko Yokota | Midori Mori | Yuzo Kiura | Kenzô Matsui | Yoshihiko Tabata | Koichi Uenoyama | Jun Miyazaki | Kyosuke Aihara | Gô Kuroda | Yoshiyuki Nemoto | Kasumi Motegi | Setsuko Watanabe | Kiyoshi Matsuoka | Sonosuke Niki | Koichi Sasaki | Masaaki Honme | Kakuo Watai | Masatoshi Kawase | Ei Shirai | Tooru Moriya | Kuniya Mizukawa | Tadao Kojima | Jirô Horisaki
What better way to celebrate the 4th of July than by watching a Japanese crime noir movie? No better way, I say!
I watched this in the morning, partly to wash away the stink of having seen Transformers: Dark of the Moon the day before.
Cruel Gun Story is part of Criterion’s Eclipse Series, Nikkatsu Noir; one of many noir movies to come out of the Nikkatsu film studio. This was the 5th or 6th Nikkatsu Noir film I’ve seen this year, and was the best yet.
As pointed out by my friend @sleestakk, Cruel Gun Story is obviously influenced by Kubrick’s The Killing. It borrows the general plot line and characterizations, though it veers off in different directions.
While some of the plot points can be silly if scrutinized too closely, on the whole it works well, and nothing really takes you completely out of the action.
The cinematography is great; very stark black and white, capturing the action in true noir style. I would go so far as to call it a minor noir masterpiece.
One interesting thing I noticed was that Cruel Gun Story makes use of the same bar set that was used in Rusty Knife. The bar is easily recognizable and plays a fairly important role in the movie, so it was weird to see it being reused from a previous movie, even though they’re separated by a good six years.
Even if you don’t want to dive headlong into the Nikkatsu Noir series, I would highly recommend giving Cruel Gun Story a watch. Easily the best of the series so far. I look forward to watching more.
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