
Rating: 5 stars
Seen 1 time
Seen on: 07/07/2011
Most recently watched by sensoria, sleestakk
In futuristic Los Angeles, a crime-fighting organization known as Condor goes up against the Black Widow, a female master criminal. The Black Widow steals the national security code and threatens to blow up Hollywood unless her old enemy, Proctor, a Condor operative, is turned over to her.
Length 73 minutes
Ray Wise | Craig Stevens | Carolyn Seymour | James Avery | Cassandra Gava | Mario Roccuzzo | Vic Polizos | Diana Bellamy | Wendy Kilbourne | Tony Epper | Barbara Beckley | Myra Chason | Catherine Battistone | Gene Bicknell | Shawn Michaels
Condor was one half of a sci-fi “west coast versus east coast” double feature I set up for myself on NWI. Both of the movies I chose (the other was Mutant Hunt) were made in the mid-80s; Condor in 1986 and Mutant Hunt in 1987. These two movies couldn’t have been more different.
Condor is set in L.A. and is obviously either a pilot for a never-made TV series or just a one-off made-for-TV movie. Everything about it is hokum, but there’s a bit of kitschy charm that helps it along.
All the tech and sci-fi is outlandish in a Buck Rogers sort of way; and kind of just tacked on to the outside of ‘80s L.A., which is humorous in and of itself. This is the kind of sci-fi we dreamed about when we were six or seven years old: full of cool, gee-whiz gimmickry like laser rifles and jet packs, computer controlled cars and silly robots.
Mutant Hunt, which I’ll get more into in it’s own review, is the total opposite. It’s the evil sci-fi future we feverishly dream about as teenagers, complete with killer cyborgs, pleasurebots, evil villians, and a generally dark and moody atmosphere.
That’s also a pretty good description of the differences between L.A. and New York City back in the ‘80s (maybe even now).
I can’t say I recommend anyone actually watch Condor; it’s too fluffy and silly to be much of a viewing pleasure; but it did work well as part of my double feature.
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